We are all made of stardust...

Stardust print installation, currently in my studio

Stardust print installation, currently in my studio

Having a studio has given me the space- physically and mentally - to embark on something I've been holding back from doing for, well, since I completed my arts degree at Uni some 19 years ago! While I was at COFA, I spent many hours in the dark room printing my photographs. I loved it. Every step of the process (minus the intensity of the chemicals) was a joy for me, I absolutely loved the alchemy of it. And to see the finished print was always exciting, it fuelled my creative fire.  Throughout my last two years of high school and into my Uni days, in those 5 years I spent most of my free time between classes in either the dark room or the library.

But since the onset of digital photography - which I have fully embraced in the most analogue way possible!  - I lost something of my work that I hadn't realised until now.  That is, the beauty and wonder of experiencing my photography in full colour and off the screen...

Stardust photographic print, limited edition, 11 x 14 inches

Stardust photographic print, limited edition, 11 x 14 inches

While visiting the Gallery of Modern Art in Brisbane a few weekends ago, I came across a room that reignited that lost part of me. It was filled with Australian artists I had studied all those years ago, intently, in books and galleries. As I roamed the room, little sparks lit in me with each work. I moved from Arthur Boyd, to Sydney Long, Rosalie Gasgoigne, and John Olsen. Every one of them had been an influence and inspiration in my years of intense study and making. Then I saw a piece that made my heart skip a beat, and took me to a long lost memory. It was a photograph called groundspeed (rose petal) by renown contemporary Australian photographer Rosemary Laing. In that moment of staring into her carpeted forest, I remembered how huge a role she played in my photography. She was one of my teachers while at the College of Fine Arts, and taught me everything I know about photography, both digital and analogue. And she was one of the best teachers I ever had. I remember how much she'd engage with each of us while we learnt the ropes of Photoshop. She was patient, kind, passionate and enthusiastic. She also gave me my best marks, which compelled me to learn more about my style, my motivation, my goals. While I looked at groundspeed (rose petal) and got lost in those memories, I felt a wave of gratitude and realised how lucky I was to have such a great teacher.

It also cemented in me how powerful it is to put your work out there, to move through those emotional blocks that stop so many of us from creating what we know we are meant to, and how important it is to have those influences in our lives - and why I love being able to be that person, that mentor, to artists around the world now. By making our work, by supporting each other and investing in each other's work, it's how we will thrive.

PiaJaneBijkerk_stardustprint_2.jpg

So it's with absolute delight that, having found the best pro printing lab in the city, I offer one of my most popular photographs Stardust as the first photograph released as a limited edition print on archival rag paper. This photograph is featured in my Festive ebook . As with all my books, I love creating visual stories throughout to capture your imagination and connect with your heart.  This photograph was created inspired by my work in redefining this intense time of year, by exploring the alchemy in each of us: The wonder that we are all made from stardust...

"Every element of the universe is made from stars, including us. As beings, each element within us was birthed in stars, the very stars that twinkle above us in the night sky and around the Earth. As humans both ancient and existing, we have held an everlasting fascination for stars, and knowing that we are made from stardust only enriches the allure and magic of the exploration of those tiny intergalactic sparkles that light up the deep indigo sky we look to each evening before we sleep."
Excerpt from The Everyday Alchemy eBook, Festive Edition. 

Each Stardust print is hand numbered, dated and signed by me. There are two sizes available, worldwide shipping is available (with free worldwide shipping for the next two weeks  - promo code in the info) all the details are available here.  When I say limited edition I mean LIMITED EDITION. Only a very small number will be printed. 

Thank you to everyone in my life who has encouraged me to print my work over the years. I finally got there! It took a while but the wait, I hope, will have been worth it. 

Vivent les artistes. 

xx

 

 

 

Laly sings Liferaft, written by Sydnee Carter...

The other day on instagram I posted a snippet of the lullaby Laly sung to me the other night. I asked her if I could record it on my phone to share with you and she said yes. So I took a video of it in the dark, and Romain extracted the sound so I could share it with you here. 

This is a song I've been singing to her for the past few months. Every year or so I learn a few new songs to sing to her at night. I rarely sing traditional lullabies, instead I've chosen songs that I absolutely love - songs that have beautiful messages she can carry with her throughout her life. When I was pregnant with her 6 years ago, I learnt the words to these songs and sung them to her when I was relaxing in the bath, the heaviness of my body relieved in the gentle water; and kept singing them to her at night all these years. At bedtime, she chooses one or two songs for me to sing, but lately she's been wanting to sing them herself. 

The song list that has remained  strong for the past 5 years has been as follows...

Birds by Emiliana Torrini
Sunny Road by Emiliana Torrini
The Sweetest Gift by Sade (which we call "The Moon Song")
Dreaming My Dreams by The Cranberries (which we call "The Dream Song")
Angel Standing By by Jewel (which we call "The Angel Song")

And in between those I've made up a few of my own that she chooses ("Silver Star", for example, and a song called "Slaapa Slu" which my Mum used to sing), as well as some French ones (including "Dodo, l'enfant Do"). 

This one is a new one we've added called Liferaft, by young Australian singer & songwriter Sydnee Carter. I hope you enjoy Laly's version (lyrics below)...

Pick me up,
hold me in.
I am broken,
I'm nothing.
I am weak,
not strong like you
still need your hand
to make it through.
Oh darling, can't you see?
You're the lock
and I'm the key
and in the dark
when I am blind
you'ld be the like {we sing: You'll be the light}
I will find. 
And for you I would be
the life raft in the sea.
And for you i would be
the life raft in the sea.

Pick you up,
hold you in.
If you're broken,
let i begin. {we sing: Then I'll begin)
You're not weak,
you are strong.
Just take my hand,
and hear my song
you'ld be the like {we sing: You'll be the light}
I will find. 
And for you I would be
the life raft in the sea.
And for you i would be
the life raft in the sea.

xx

PS and here is Sydney Carter singing it herself, so beautiful. 

 

My Artist's Retreat in the making, ready to take bookings...

...my artist's impression of of my artist's hideaway in Balmain.  

...my artist's impression of of my artist's hideaway in Balmain.  

PiaJaneBijkerk_studio2017_Balmain_8.jpg

For those who follow me on instagram, you'd know that a few weeks ago I embarked on a new, wonderful adventure, sharing with you a bare space in the midst of being transformed into my artist's retreat. It's a one bedroom apartment in the heart of Balmain: a minute walk to the ferry to get into the city, and a minute to Darling St, the main shopping street.

It's something I wasn't planning to do at all, but as happens with following my heart, things don't make sense in the moment, but I now see it was leading to this sweet abode all the while...

I had been looking at artist studio spaces over the last couple of years- spaces that were part of large artist communities, and as much as I loved the idea of sharing an artists space and being among other artists, it never felt right for me - I couldn't imagine myself in any of the spaces, no matter how much I loved them or the artists I'd be working alongside. 

Then, just out of the blue, with no clear reasoning whatsoever, I got a feeling to look at some one bedroom apartments in the area. I looked at three, and this one - this one, had it.  Housed in a humble 1980's white brick building, tucked away from the street, with a tiny galley kitchen and bathroom off the bedroom tiled in slate, it simply sang to me. The energy of the space is beautiful and serene and so open to creative flow. I felt the magic of it coarse through my veins and couldn't stop feeling all it will be - to me, to my work, to my new mentoring clients and their work.

So over the past couple of weeks, I've been hanging out there when I can, spending time listening, observing, and feeling, letting the ideas flow, and in the next couple of weeks I'll be shaping it into a fully immersive, multi-disciplined creative space...

Two ESSENTIALS that I had to claim for the new space from Drunk on the Moon, my go-to vintage treasure stop in Newtown: an artist's stool and an anchor. The significance of the anchor will be explained in time :)

Two ESSENTIALS that I had to claim for the new space from Drunk on the Moon, my go-to vintage treasure stop in Newtown: an artist's stool and an anchor. The significance of the anchor will be explained in time :)

Gathering flora (and weeds!) from around the neighbourhood, as I get to know the surrounds and bring nature in to inspire... 

Gathering flora (and weeds!) from around the neighbourhood, as I get to know the surrounds and bring nature in to inspire... 

The space in its beginning phase. 

The space in its beginning phase. 

And, with only a couple of weeks away from being ready,  it's with absolute delight that I am now taking bookings for my personal artist’s hideaway in Sydney!

PiaJaneBijkerk_studio2017_Balmain_5.jpg
PiaJaneBijkerk_studio2017_Balmain_7.jpg
PiaJaneBijkerk_studio2017_Balmain_12.jpg

This is a truly unique opportunity to step into my world; into the world of My Heart Wanders

Spend two nights fully immersed in your creative genius, with all access to my multi-disciplined space, as well as one-on-one mentoring sessions with me throughout your stay.

My mentoring clients around the world are currently writing books they never knew they could, making art they never thought they would, and most importantly they are doing so ignited by their own fire, which, through my unique approach, they’ve learnt how to feed and cherish, never wanting to let it turn to ash again.

Please note: As many of you know, I don’t muck around. Once you book your time with me, you open the doorway to your creative calling. And I need to make this clear: This is not creativity as a hobby. This is not creativity as a side project; this is creativity as your calling.

As a prolific author, photographer and visual storyteller, my work has been featured in dozens of magazines and books across the globe over the last decade. I am an artist and I’ve never been starving. Every day I make room to ripen; every day I’m in an alchemical state.

And, now and then, my creativity erupts to make something wonderful that resonates with thousands of people across the globe

I live the creative life, the heart-led life. I am the real deal. I go against the grain. I’ve stood in front of my fears, time and time again and moved through those fears, time and time again. I am an artist, I play by my own rules. I am authentic. Passionate. And I’m living it – there is no pretence. There is no bullshit. My work is tangible. I am visible. I live my truth.

And when we work together, you & your authentic work will come through quickly and become visible too, so you need to be ready & willing: it's simply how powerful our connection is, and when you're open, it will flow. 

Bookings are now open for November and December. There are limited spots, and it's by application only. UPDATE 26/11/2017: Bookings now closed for 2017. Bookings from March 2018 now open, please click here to find out more

Two magical choices:

1.     I welcome you into my artist's hideaway, and then leave you to your creative self to finish off a project you’ve urgently needed to – providing a nurturing and artistically supportive space, plus access to me when you get stuck!

2.     I mentor you 1-1 during your stay in my space – this is powerful, transformative work; identifying your creative calling and showing your how to make it a reality!

There are going to be lots of wonderful, personal touches to this experience - this is not simply booking a couple of nights accomodation in Sydney, this is opening yourself to YOU. It is a transformative experience that is completely unique and exclusive... 

PiaJaneBijkerk_studio2017_Balmain_9.jpg
PiaJaneBijkerk_studio2017_Balmain_6.jpg

For more information, please click here. 

Vivent Les Artistes mes amis, Vivent Les Artistes! 

xx

Happi.Kidz photo feature...

...clear quartz crystal mobile made by me; beautiful chunks of tangerine quartz sourced from Mineralism in Glebe.

...clear quartz crystal mobile made by me; beautiful chunks of tangerine quartz sourced from Mineralism in Glebe.

In June this year I was commissioned to create another story for Happinez magazine, this time for their children's edition called Happi Kidz. The brief was to create eight images to show the benefits of various crystals for children. I came up with a few ideas, drew up a storyboard, ran it by Albertine via email - the image editor for the magazine - and then got to work bringing my ideas to life. The magazine was published last month, and it's a delight to know that my hero shot of gorgeous first time model Freya, was chosen for the cover...

...garnet necklace made by me, using Tinctifolia hand-dyed silk ribbon.

...garnet necklace made by me, using Tinctifolia hand-dyed silk ribbon.

PiaJaneBijkerk_happikids_tigerseye_2017.jpg

My dear friend Kaspia assisted me on the day, offering not only her talents as a stylist but also props from her incredible collection, including clothes & textiles from far away lands. Freya, who is half Norwegian and half Australia was my gorgeous model for the day - it was her first time modelling and she was amazing. Freya is Kaspia's niece, and along with her lovely mum Ragna, and Kaspia's eldest daughter Paloma, we had a great day on set in my home...

...aquamarine talking stick made by me; pouch for the jade fish made by Zoë from Tinctifolia.

...aquamarine talking stick made by me; pouch for the jade fish made by Zoë from Tinctifolia.

...stunning lapis lazuli sourced from Mineralism, Glebe.

...stunning lapis lazuli sourced from Mineralism, Glebe.

Here are a couple of the behind the scene shots for you as I know many of you love to see how I work...

PiaJaneBijkerk_behindthescenes_happikidz_2017_1.jpg

The dining table was removed to make room for the set, the light in this part of the house is beautiful. 

PiaJaneBijkerk_behindthescenes_happikidz_2017_2.jpg

The magazine is out now in Holland. I'll post some more behind the scenes shots on instagram in coming days. Thank you to Kaspia, Ragna, Freya and Paloma for your wonderful assistance and for helping to make the day so pleasurable. If you'd like to see my past work with Happinez, please click here

xx

Credits:

Producer, Photographer & Stylist: Pia Jane Bijkerk
Photographer & Stylist's Assistant: Kaspia
Props from Major & Tom, Mineralism, Kaspia's Caravan, Tinctifolia
Model: Freya Gilmour