pia's photos

Happi Health photoshoot: vitamin boost...

 Vitamin B6: Coconut & Red Quinoa porridge with nuts, seeds & edible flowers

Vitamin B6: Coconut & Red Quinoa porridge with nuts, seeds & edible flowers

Here are some of photographs I produced for Happinez, for a story on how to boost your vitamin intake with certain foods, in the special edition called Happi Health that was published in The Netherlands a couple of months ago. It’s been years since I worked with food - I used to work regularly as a food stylist for magazines, catalogues and books around the world, sometimes styling the food myself, other times working with wonderful cooks & stylists like my dear friend Yvette van Boven, as well as Michele Cranston and Emma Knowles, and photographers Petrina Tinslay and Jeroen van der Spek were among my favourites.

I had forgotten how much I love working with food until this shoot. As I got creating, I was thinking, why haven’t I done this for so long? To be honest, I think it was because of the over-abundance of cookbooks, food magazines, food shows… it felt to me like there was enough already, and that it feeds that consumer energy, that need to fill up ‘the void’ in us with so. much. Also, there is so much incredible talent out there already, I felt like it was well and truly covered.

But I have a genuine love of eating well, sharing my love of nourishment with my daughter and her friends, and enjoying a beautiful meal with my friends and partner (we are often talking about food, as the French do!) I’m not an entertainer - I am not that friend who always has a fridge full of everything and can whip up something amazing any time of day or night. I’m not always in the kitchen. It’s more that it’s one of the mediums of creative expression for me - like painting is for some.

So having said all that, I do absolutely love shooting delicious food! Focusing on taste, texture, colour and nourishment. It’s why I am so looking forward to co-hosting the kids tasting workshop in a couple of weeks!

This shoot reignited that passion within me. With this story, it was the first time I’d photographed, cooked, and styled at the same time - I’ll just say this, it was bloody challenging to do all roles. A little bit nuts really, in hindsight. But the challenging aspects did not take away the joy! My studio was in full swing- every part of it was in use, the kitchen was abuzz - the oven on, the blender going, chopping boards and utensils in action. The walls were lined with canvas backdrops and wooden tabletops. There was music. There was mess. It was beautiful chaotic order - just the way I love to work.

I thought you might like to see the shots in their entirety, and to share with you some of the recipes I created to be able to get the full benefits of each vitamin I was asked to represent…

 Vitamin K: roasted purple-skinned sweet potato with Japanese natto beans

Vitamin K: roasted purple-skinned sweet potato with Japanese natto beans

 Folic Acid: roasted dark leafy greens & sprouts with sesame oil & micro herbs

Folic Acid: roasted dark leafy greens & sprouts with sesame oil & micro herbs

 Vitamin E: avocodo topped with seeds, wheatgerm oil and edible flowers. Vitamin B12: homemade nori chips

Vitamin E: avocodo topped with seeds, wheatgerm oil and edible flowers. Vitamin B12: homemade nori chips

 Vitamin A: roast carrot, pumpkin & sweet potato soup topped with micro herbs

Vitamin A: roast carrot, pumpkin & sweet potato soup topped with micro herbs

 Vitamin D: delicious sun beams - soak them in! Vitamin C: grapefruit slices.

Vitamin D: delicious sun beams - soak them in! Vitamin C: grapefruit slices.

Here are the recipes for the roasted sweet potato dish and the red quinoa. Everything else is pretty self-explanatory (if not let me know and I’ll happily answer questions in comments)…

Roasted purple-skinned sweet potato with Japanese natto beans…

Cut a purple-skinned sweet potato in half lengthways and roast in the oven with an oil of your choosing (olive, coconut, whatever you like!), with a little salt. Top with warmed baby spinach leaves and natto beans which you can get in asian grocery stores. The texture is a little unusual - its very sticky, but don’t be put off, as with the combination of the sweet potato and the spinach, it’s delicious and so very good for you! Garnish with micro herbs (which are also full of nutrients).

Coconut & Red Quinoa porridge with nuts, seeds & edible flowers…

Serves 4

Ingredients

  • 1 cup rinsed red quinoa

  • 1 cup coconut milk (or milk of choice)

  • 1 cup filtered water

  • 1/4 teaspoon sea salt

  • 1/2 teaspoon ground cinnamon

  • maple syrup (depending on your sweetness needs, but for me it was about 2 tablespoons)

  • pistachios, pecans, whatever nuts you have on hand, activated and if desired, slightly roasted or warmed.

  • edible flowers if you have them

  • shredded coconut for garnish

Directions

  1. In a saucepan, bring quinoa, milk, water, salt, and cinnamon to a boil. Reduce heat to medium low, cover and simmer for around 15 minutes, until liquid is absorbed,

  2. Turn off heat and let stand covered 5 minutes. Fluff with a fork.

  3. Transfer to serving bowls. Top with the nuts, petals and shredded or toasted coconut.

With love,

Pia xx

Sacred Geometry for Happinez Magazine...

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Here is my latest work for Happinez Magazine, featured in their Zomer (Summer) edition, just out now. The assignment was to create 8 photographs of sacred geometry, with a handmade, organic and natural touch. It was actually very challenging, but so much fun. Researching the meaning behind each symbol was interesting, and coming up with unique ways to show these symbols had my mind in a twist. I went with the flow of the twist, and it all eventually unravelled, creating these photographs over about 4 days in the studio...

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The idea was to start with the simple shapes like square, circle and triangle, and then progressing to the more complex symbols like the dodecahedron, octahedron, tetrahedron, icosahedron. Everything from this shoot I made from materials I had already in my home (like the collection of marbles from my childhood) and studio, as well as fallen flowers and branches from the neighbourhood...

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These perspex cubes were part of my old stylist's kit - I'd had them made about ten years ago. I love the play of nature with them here, the soil and roots and sand make the shot. 

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This gorgeous Japanese handmade dodecahedron was given to Laly by my dear friend Kylie on one of her trips to Japan a few years ago. When I have a commissioned shoot like this, I walk through my house looking for inspiration, and when I saw this on Laly's shelf I knew it had to be in this shoot, and it made me smile to know that it was given by Kylie, so special. The bougainvillea grows in abundance at the entrance of my studio building, and combined with this fabric from Major & Tom, this became my favourite photograph of the collection. 

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And then came the biggest challenge of all: the mother of all symbols, the icosahedron. This was the only symbol I didn't have a plan for, and left it completely up to my intuition to figure it out. Which was apt - the icosahedron symbolises water, which is as we know all about movement, flow and change. It's also connected to emotions, and can be used to enhance the creative process. The process for creating this was beautiful - I played with different materials, and then before I knew it I was being guided to paint some bamboo skewer sticks with streaks of white, then I cut them into sets of equal lengths and laid them ever so carefully onto this stunning backdrop - a lightly waxed indigo dyed piece of fabric given to me as a gift from one of my mentor clients, Bernadette. I love that these beautiful handmade gifts that I've lovingly received over the years have become a part of my work, it shows the power of the collective and how we can enrich each other's creativity (remember this little velvet box?).  Through this process, I didn't know what the outcome was going to be - I didn't see the end result and then work toward it, instead I allow each step to happen with absolutely no knowledge of what is about to transpire. I understand some people become frozen with fear if they don't have a concrete plan for everything, but I get excited. To me it shows there is so much room for possibility, and my intuition is free to play. I placed eucalyptus buds at each point. The second shot here I just love - I messed up the pieces to show the transience, which for me is just as beautiful - to create beauty, and then let it go. 

I made some video footage of the behind the scenes which I'll put together and share on my Patreon page for those who are interested in the behind the scenes. 

xx

 

 

LET'S BEAM...

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On Monday, I posted the above photo you see here in the frame on my studio shelf on instagram, with the message "we are human beams" written over it, creating the hashtag #wearehumanbeams. In the week leading up to posting this photograph, I was feeling these words resonate strongly through me. As I felt the powerful energy and importance of the meaning of these words, this moment I captured in this photograph came to mind. It was almost exactly 3 years ago. My Mum had just passed away, and I had taken Laly to my parents to assist my Dad with household changes. Perhaps we were staying there, I can't remember the details of that time, I just remember the intensity, the fatigue and how surreal it felt, like I was walking between worlds. I spent quite some time looking for this image in my archives, wondering if it was how I remembered it and my heart felt expansive when I found it: seeing the beauty and awe of that moment. When I took this photo, through the tidal wave of grief, I remember how it pulled me up to the surface - to the present - as I stood captivated by how my daughter's human form connected & communicated so wondrously with the sun, the sea and the sand. It felt like I'd witnessed a moment of real-life magic. I could see the sunlight radiate through her skin and her inner glow play with this light, encouraging it, nurturing it. There she stood before me as a human BEAM. 

This is what I saw, and this is what I posted.

However within a few minutes of posting it, I had someone I'd not heard from before called Vivienne comment something along the lines of "I wish you'd be more circumspect when choosing photos of Laly, this is inappropriate". It pissed me off, I admit, but I took a moment to reflect on her comment and try to see things from her perspective. I wrote a reply along the lines of, "I was absolutely circumspect when choosing to post this image. I understand some people see things differently, I respect that". I got the impression that she too respected that and I thought we had resolved our differences. But when I awoke the next morning, my photograph had been removed by instagram, along with all the comments - most of which I had not read because I was asleep - and I was and still am locked out from using the hashtag  I created #wearehumanbeams. 

That got me really pissed off. 

Then I sat with my feelings. And so much came up...

Feeling shamed, feeling like someone told me I was a bad parent, feeling like I'd been disciplined for something wrong that I didn't do, feeling like I wasn't good enough, feeling like I hadn't understood something, feeling confused, feeling violated, feeling misunderstood

How often had I been misunderstood in my early life? I think that's why I have spent all these years strengthening my ability to communicate clearly, to ensure that if there is a misunderstanding, I know that I've done everything in my power to communicate clearly.

Anyway after the anger began to dissolve, I felt the powerful energy of the experience sink in.  "Sure", I thought, "I get it".  I can see life from other perspectives -  again, it's something I have found as an important attribute to work on in life - and I'm all for safety, and I'm absolutely all for keeping our children safe. 

But this? So much strength came forth after the anger released. I realised that this behaviour, these emotional reactions from people, these restrictions from companies like instagram are EXACTLY why there are so many incredible souls too  scared to be themselves, to let their creativity shine, to lead a  creative, heart-centered  life. 

"Why can't you see what I see?" I wondered. It was really perplexing, I struggled to understand what was happening. But that's when it hit me like a brick: they aren't connected to their centre.

For me, I chose to post this photograph because of the art. For me, and so many of us I know, we are seeing the art, the beauty. But others simply can't see this - all they can see is a photo of a nude child. And that brings up all sorts of deeply disturbing emotions for them. Feelings they are too scared to feel, too scared to allow come up to the surface. They can't connect to their hearts, it's just too confronting. 

I know there are deeply damaged souls out there. And I understand that the people who report photographs like mine think they are doing good, that they are protecting me and/or my child. I understand they think they know something that I don't know. That I am naïve and vulnerable, and that they know better. But I know that removing this type of photograph - of which I was very discriminating in selecting to communicate the concept of being a human beam -  will NOT stop damaged souls from feeding their addictions. What this action does is even more damaging: It stops authenticity, art, talent and beauty from shining in an increasingly dark world. This action and the actions of these major communication companies are feeding the fear in the world - fear of seeing & experiencing life differently, of not conforming, of not standing out from the crowd. This behaviour stifles freedom and disconnects us from our heart centres. 

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What do you see? This is how I came to write My Heart Wanders in the first place:

What you see is a reflection of what you feel inside. And people would rather stop something like my photograph from being published than deal with the emotions that arise from what they see.

It's what you feel that matters. It's what this image brings up in you. It's not what I don't see, it's what you see and how that makes you feel. That's the purpose of ART:  it evokes our feelings, particularly those feelings that are trapped and stuck.

This is why I am so passionate about the importance of tapping into your creativity, because if we don't, we will become stuck like this: we will only be able to see things from the darkness, from the fear. We will rationalise our limited viewpoint as 'logical', 'reasonable', 'sensible', 'practical', 'truthful'. But that's not heart speak. Humans are not meant to only think with our brains. That would make us computers. We are also meant to feel, express, radiate from our heart centres...

We are human beams: We are light - traveling under the ocean,  above in the ether, and right here on earth for our lifetime. Every new idea we form is light. Close your eyes and imagine the the world at night, look how it lights up with the light we have created. We are drawn to light. Because we are light. And what we project is also what will be reflected back to us. 

So ANYWAY, in response to the removal of my photograph, I have made this...

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Because I won't allow anyone to take my art away. Instead, I'm going to beam my light BRIGHTER. My child is art, I am art, what I express is art.

And it got me thinking: How would you, my fellow creative souls, express the idea that we are human beams? I want to see your interpretation - I want us to make this art. 

And since I am no longer able to post using the hashtag #wearehumanbeams, it doesn't stop you from using it! 

So I got an idea - a beam of light: How about we come together as a mass creative collaboration and use this hashtag to create a body of incredible work, that showcases in each of our unique ways, how we would express that WE ARE HUMAN BEAMS. And to get you inspired and focussed, I'll choose someone to receive a 3-hour creative mentoring package from me, no matter where you are in the world.

If we can create an incredible body of work for #wearehumanbeams, if this becomes big, we can turn it into a book! Let's rock this place up!!  Vivent les artistes

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So in my usual fashion, I don't have deadlines and limitations on this for now - I will give it the freedom to expand - that's always the BEST place to start. And the only way this can happen is through YOU. For now I feel if we use the hashtag on insta #wearehumanbeams , spread the word - you can repost my new piece above "we are human beams" - and tag people in the post I write on insta, then you're in the collaboration. Even if you don't want to make something for it, let others know who you know would love to. Then, when you post your work for "we are human beams", hashtag it so others can see and follow your work, and tag me in it so I can see you want to be in the running to receive the mentoring package. 

Note: there are no limitations on how many works you submit. You can use any form of art - whatever your heart is drawn to. The idea is to ignite your creative spirit. Kindred spirit & fellow artist Midnight Blue already posted a wonderful video she made in support, take a look at the hashtag #wearehumanbeams on insta to see it! It will get you inspired! I don't know if, when I post this on insta, my hashtag will work so I will need to rely on you guys to repost it there for everyone, so they can see it in the hashtag and understand the project. 

Let's be human beams. Let's make the light shine bright. 

Fuck, I'm excited about this. 

 

xx

 

We are all made of stardust...

  Stardust print installation , currently in my studio

Stardust print installation, currently in my studio

Having a studio has given me the space- physically and mentally - to embark on something I've been holding back from doing for, well, since I completed my arts degree at Uni some 19 years ago! While I was at COFA, I spent many hours in the dark room printing my photographs. I loved it. Every step of the process (minus the intensity of the chemicals) was a joy for me, I absolutely loved the alchemy of it. And to see the finished print was always exciting, it fuelled my creative fire.  Throughout my last two years of high school and into my Uni days, in those 5 years I spent most of my free time between classes in either the dark room or the library.

But since the onset of digital photography - which I have fully embraced in the most analogue way possible!  - I lost something of my work that I hadn't realised until now.  That is, the beauty and wonder of experiencing my photography in full colour and off the screen...

  Stardust photographic print , limited edition, 11 x 14 inches

Stardust photographic print, limited edition, 11 x 14 inches

While visiting the Gallery of Modern Art in Brisbane a few weekends ago, I came across a room that reignited that lost part of me. It was filled with Australian artists I had studied all those years ago, intently, in books and galleries. As I roamed the room, little sparks lit in me with each work. I moved from Arthur Boyd, to Sydney Long, Rosalie Gasgoigne, and John Olsen. Every one of them had been an influence and inspiration in my years of intense study and making. Then I saw a piece that made my heart skip a beat, and took me to a long lost memory. It was a photograph called groundspeed (rose petal) by renown contemporary Australian photographer Rosemary Laing. In that moment of staring into her carpeted forest, I remembered how huge a role she played in my photography. She was one of my teachers while at the College of Fine Arts, and taught me everything I know about photography, both digital and analogue. And she was one of the best teachers I ever had. I remember how much she'd engage with each of us while we learnt the ropes of Photoshop. She was patient, kind, passionate and enthusiastic. She also gave me my best marks, which compelled me to learn more about my style, my motivation, my goals. While I looked at groundspeed (rose petal) and got lost in those memories, I felt a wave of gratitude and realised how lucky I was to have such a great teacher.

It also cemented in me how powerful it is to put your work out there, to move through those emotional blocks that stop so many of us from creating what we know we are meant to, and how important it is to have those influences in our lives - and why I love being able to be that person, that mentor, to artists around the world now. By making our work, by supporting each other and investing in each other's work, it's how we will thrive.

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So it's with absolute delight that, having found the best pro printing lab in the city, I offer one of my most popular photographs Stardust as the first photograph released as a limited edition print on archival rag paper. This photograph is featured in my Festive ebook . As with all my books, I love creating visual stories throughout to capture your imagination and connect with your heart.  This photograph was created inspired by my work in redefining this intense time of year, by exploring the alchemy in each of us: The wonder that we are all made from stardust...

"Every element of the universe is made from stars, including us. As beings, each element within us was birthed in stars, the very stars that twinkle above us in the night sky and around the Earth. As humans both ancient and existing, we have held an everlasting fascination for stars, and knowing that we are made from stardust only enriches the allure and magic of the exploration of those tiny intergalactic sparkles that light up the deep indigo sky we look to each evening before we sleep."
Excerpt from The Everyday Alchemy eBook, Festive Edition. 

Each Stardust print is hand numbered, dated and signed by me. There are two sizes available, worldwide shipping is available (with free worldwide shipping for the next two weeks  - promo code in the info) all the details are available here.  When I say limited edition I mean LIMITED EDITION. Only a very small number will be printed. 

Thank you to everyone in my life who has encouraged me to print my work over the years. I finally got there! It took a while but the wait, I hope, will have been worth it. 

Vivent les artistes. 

xx

 

 

 

Happi.Kidz photo feature...

 ...clear quartz crystal mobile made by me; beautiful chunks of tangerine quartz sourced from  Mineralism  in Glebe.

...clear quartz crystal mobile made by me; beautiful chunks of tangerine quartz sourced from Mineralism in Glebe.

In June this year I was commissioned to create another story for Happinez magazine, this time for their children's edition called Happi Kidz. The brief was to create eight images to show the benefits of various crystals for children. I came up with a few ideas, drew up a storyboard, ran it by Albertine via email - the image editor for the magazine - and then got to work bringing my ideas to life. The magazine was published last month, and it's a delight to know that my hero shot of gorgeous first time model Freya, was chosen for the cover...

 ...garnet necklace made by me, using  Tinctifolia  hand-dyed silk ribbon.

...garnet necklace made by me, using Tinctifolia hand-dyed silk ribbon.

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My dear friend Kaspia assisted me on the day, offering not only her talents as a stylist but also props from her incredible collection, including clothes & textiles from far away lands. Freya, who is half Norwegian and half Australia was my gorgeous model for the day - it was her first time modelling and she was amazing. Freya is Kaspia's niece, and along with her lovely mum Ragna, and Kaspia's eldest daughter Paloma, we had a great day on set in my home...

 ...aquamarine talking stick made by me; pouch for the jade fish made by Zoë from  Tinctifolia .

...aquamarine talking stick made by me; pouch for the jade fish made by Zoë from Tinctifolia.

 ...stunning lapis lazuli sourced from  Mineralism , Glebe.

...stunning lapis lazuli sourced from Mineralism, Glebe.

Here are a couple of the behind the scene shots for you as I know many of you love to see how I work...

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The dining table was removed to make room for the set, the light in this part of the house is beautiful. 

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The magazine is out now in Holland. I'll post some more behind the scenes shots on instagram in coming days. Thank you to Kaspia, Ragna, Freya and Paloma for your wonderful assistance and for helping to make the day so pleasurable. If you'd like to see my past work with Happinez, please click here

xx

Credits:

Producer, Photographer & Stylist: Pia Jane Bijkerk
Photographer & Stylist's Assistant: Kaspia
Props from Major & Tom, Mineralism, Kaspia's Caravan, Tinctifolia
Model: Freya Gilmour


 

STUDIO book cover

I was informed by a friend the other day that one of my photographs of Leslie Oschmann's Amsterdam studio Swarm has become the cover for Sally Coulthard's new book called Studio: creative spaces for creative people. Leslie's studio is not featured within the book, so for those who bought the book hoping to see more of the space featured on the cover, here are more of my photographs of Leslie's incredible space...

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I met Leslie when I was living in Amsterdam and was researching for my book Amsterdam: Made by Hand. It was a joy to photograph her home and studio, it remains to be one of the most inspiring places I've ever had the pleasure of spending time in...

There are plenty more photographs which I will be sharing in my stock media room soon, for publishers interested in seeing the full story of images, please feel free to email me in the meantime. 

Leslie has since moved to a new studio in Amsterdam, and I had the pleasure of visiting with my daughter last July, and yes, I took lots of photographs! I'll share these with you soon too.

Also in exciting news, I'm about to reveal my next workshop dates - one of which will be in Amsterdam, in Leslie's new studio. I can't wait to share the details with you. 

xx

photo story for Christmas edition of Happinez 2016...

 1. "let me take you for a walk through my favourite neighbourhood": hand drawn map of Amsterdam (which I made a few years ago for my   Amsterdam: Made By Hand   tour, antique French book from our bookshelf, gold fabric from  Major & Tom . 2. "a wander on the beach": Bottle from  Major & Tom , as well as gold scalloped dish, made by beautiful  Bridget Bodenham .  ..............................................

1. "let me take you for a walk through my favourite neighbourhood": hand drawn map of Amsterdam (which I made a few years ago for my Amsterdam: Made By Hand tour, antique French book from our bookshelf, gold fabric from Major & Tom. 2. "a wander on the beach": Bottle from Major & Tom, as well as gold scalloped dish, made by beautiful Bridget Bodenham.

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 3. "I'll be your  Marie Kondo  for the day": everything found around my home - fallen bark from a nearby tree, found feathers, and beautiful velvet lined box gifted to me by an  Alchemy of Assemblage  workshop attendee. 4. "I'll knit you something warm this winter": wool bought in British Columbia many years ago, tiny knitting needles found in a vintage shop on King St, Newtown, blue silk fabric given to me by my friend  Kaspia .  ..............................................

3. "I'll be your Marie Kondo for the day": everything found around my home - fallen bark from a nearby tree, found feathers, and beautiful velvet lined box gifted to me by an Alchemy of Assemblage workshop attendee. 4. "I'll knit you something warm this winter": wool bought in British Columbia many years ago, tiny knitting needles found in a vintage shop on King St, Newtown, blue silk fabric given to me by my friend Kaspia.

..............................................

In September last year, I produced, styled and photographed an 8-page feature for Dutch magazine Happinez, for their Christmas edition, 2016, issue 8. It was titled "What money can't buy", featuring non-traditional gift ideas for the festive season. The brief was to come up with some gift ideas that celebrate sharing time together and offering a skill, rather than going out and buying something. As you can imagine, I was pretty rapt with this assignment: challenge accepted!

Would you like to know a little about how I made these assemblages?

 5. "I'll plant you a rose garden": back boards from Major & Tom, hand dyed silk ribbon from  Tinctifolia , and tiny French pots from  Elements I Love   .  6. "I'll make you some healing soup": sari from Malaysia (details below), hemp string from  String Harvest .  ..............................................

5. "I'll plant you a rose garden": back boards from Major & Tom, hand dyed silk ribbon from Tinctifolia, and tiny French pots from Elements I Love . 6. "I'll make you some healing soup": sari from Malaysia (details below), hemp string from String Harvest.

..............................................

Together with the Creative Editor, I came up with some ideas and then had to figure out how to visually capture them. For example, one idea was to gift a walk on a favourite beach together. When I thought about that idea, I began to visualise a beach in a bottle, so I created just that, using a small bottle, some sand, tiny shells and a little sparkle (shown in the top right image). The layering of the objects around the bottle created depth and warmth, and I used gold threaded fabric and ceramics for texture and a touch of festivity. That was the first photograph I made from the story, as in my mind it was the strongest, but it also took the longest to create (3 hours). 

Another gift idea was to make some delicious festive soup, but instead of creating an image of a bowl or pot of soup, I decided to bundle the ingredients together, giving a textural feast for the eyes (image 6). I deconstructed a variety of fresh mushrooms from the supermarket, choosing the most interesting ones and creating a bundle with fresh herbs and watercress, wrapped with string and bells. The sari used as the backdrop for the ingredients I had bought in Malaysia many years ago when I was a bridesmaid for a modern Malay wedding. 

 7. "Private concert": Gold textile from Major & Tom, Indian festive circles from  India in Balmain,  music sheet from my personal collection. 8. A beautiful mess.  ..............................................

7. "Private concert": Gold textile from Major & Tom, Indian festive circles from India in Balmain, music sheet from my personal collection. 8. A beautiful mess.

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Below each image is more information about each photograph, with links to wonderful prop suppliers and makers here in Sydney. And if you'd like to see a behind the scenes mini film of me in the process of making one of the photographs, you can see it right here

 9. "I'll come to clean up your decorations": box of decorations from my personal collection, with collected seed pods dipped in glitter, vintage baubles, and an assortment of ceramic stars by  Paper Boat Press . 10. vintage sari as above.

9. "I'll come to clean up your decorations": box of decorations from my personal collection, with collected seed pods dipped in glitter, vintage baubles, and an assortment of ceramic stars by Paper Boat Press. 10. vintage sari as above.

Would you like to learn how I create assemblages like these? This year I am scheduling a few exclusive and very intimate weekend workshops to share my techniques with you, connecting to our intuition. In the next couple of weeks I'll be announcing the dates, first through my newsletter to allow subscribers to get first choice with early bird specials, then publicly. There will only be 6 places available per workshop, so if you'd like to be first in line to book your preferred date, please ensure you have subscribed

And if you have any questions, please comment below! xx